Mistakes - From Russia With Love

Martine Beswicke, who plays Zora, was originally credited as "Martin Beswick" in the opening title sequence. Monty Norman's name is also misspelled Monte Norman in the credits.

When Morzeny says "Exactly 1 minute, 52 seconds. That's excellent" in the beginning of the film, his lips never move.

When Klebb visits SPECTRE Island and first speaks with Morzeny, most of the conversation heard does not synch up with their lips, as if the actors were initially saying completely different dialog on the set. This mismatch goes on until they enter the training area.

During Klebb's SPECTRE Island visit, she and Morzeny walk through a training area. As they leave the training area we see a shot of them entering what appears to be another training area, but it is identical to the one shown earlier.

When he is being shown the briefcase by Major Boothroyd (Q) in M's office, 007 picks up one of the magazines containing the rounds of ammunition, pressing out a handful of them before he starts putting them back in, one by one. In the next shot, 007 is no longer holding any of the bullets and the magazine is full, although he should have still been replacing the rounds.

When 007 is about to leave M's office after receiving instructions from Q regarding the briefcase, we see Bond replacing the knife in its hidden slot. In the next shot, as he is leaving, the knife is back in Bond's hand.

When talking to Klebb and Kronsteen, Blofeld's ring swaps hands briefly.

When Tatiana goes to see Klebb, Klebb closes the door but it doesn't shut tightly. A crew member's hand reaches through to pull the door shut all the way.

When Klebb reads out facts to Tatiana from her information file, she mentions that Tatiana had 3 lovers. When she says this she is wearing thick glasses, but when we see her moments later she is not wearing her glasses, although her posture seems to suggest that she hasn't moved to remove them and is still reading.

Bond exits Istanbul Airport through the domestic terminal, despite arriving on an international flight.

Bond does not turn the bathtub tap off after he meets Tatiana in his hotel bed.

Right after the belly dance at the gypsy camp when Bond thanks for the hospitality, he wipes his hands clean on his handkerchief. But in the next shot he doesn't. In the shot after that he does.

While it is true that visitors must remove their shoes to visit a mosque, Santa Sophia is an exception because it is no longer an "active" place of worship and visitors may keep their shoes.

The words used for "pull" and "push" signs on the doors at the Russian consulate are literal translations of the corresponding English verbs ("dergat" and "pikhat"). First, it's not what is customarily written on the doors in Russia ("to" and "fro" are used), and second, the colloquial forms of verbs are used, not the written forms.

Russian consulate is placed over the Byzantine cisterns in the old city. Actually it is located in the "European" Beyoglu district.

When Bond first recovers the Lector, he does not properly close it, though he goes through the motions. It becomes closed and latched as he runs through the door.

When Bond and his party board the train in Istanbul, they board the train at the rear which shows passenger coaches. When the train passes Kerim's son and does not stop at the scheduled rendezvous because Kerim has been killed, the passing rear of the train is freight cars. When Bond and Tania escape from the train, the departing shot of the rear of the train is passenger coaches again.

The agent waiting for Bond at the Zagreb train station is first seen in a reversed image with his pocket and handkerchief on the right side of his suit coat. When he is talking to Bond on the train platform the pocket has moved to the left side.

The train didn't stop at a couple of minutes past 6 (probably because of the double murder) and the train passes the two sons of Kerim who were waiting. When the train arrives at the next stop the clock on the platform shows 5.34.

During the train journey from Istanbul to Venice, some shots of the passing train show green painted British carriages, rather than the continental carriages shown in other shots of the train.

Near the end of the fight scene with Grant, the blood on Bond's hand disappears and then reappears

After Bond removes the wire to release the burning wagon, he clearly fires two shots from his gun (two flashes of light) but we only hear one shot.

When Bond is being chased by the helicopter, the Lektor and the rifle switch hands several times between shots.

In the scene just after the helicopter crash, when 007 is running down the hill away from the helicopter, another person in the same type of suit is seen coming up the hill from the right. They are hunched over, presumably trying to stay out of sight from the camera.

When the helicopter attacking Bond blows up, its skids are blown off in the initial explosion. But in the next shot it is seen crashing to earth with the skids still attached.

In the helicopter chase and subsequent explosion, the cable attached to the helicopter prop (and an off-camera crane) is clearly visible as the flaming wreckage falls to the ground.

When Bond is talking to Tatiana on the boat, their faces are both lit from the upper-right (as seen by the camera), yet they are facing each other.

The flower truck changes when attacked by the helicopter. It is first seen at the railroad crossing is a Dodge, and after 007 enters the pickup, with the villain in the cab, the truck switches to a Chevrolet.

The truck hood is burned by air-bombing, then is unmarred.

In the boat chase, the director's waving hand can be seen reflected in the windshield of Bond's boat at several points.

There are only four drums of gasoline on the boat, but when they explode in the water, there are at least 15-20.

At the end of the film when Bond is examining the film taken of the two of them in the bridal suite the film is in 8mm format but when he throws it into the Venice canal it changes to 16mm.