Fan Reviews - The World Is Not Enough
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"The World Is Not Enough" by Luds
After two very successful outings in the 1990s (1995's GoldenEye
and 1997's Tomorrow Never Dies), there was very little doubt that
the Bond franchise was healthy again. The public seemed to respond
positively to new Bond movies and fans accepted Pierce Brosnan
as the fifth James Bond. Once again, Bond producers Michael G.
Wilson and Barbara Broccoli decided to bring a new director in
Michael Apted. The script would mainly come from Bruce Feirstein,
Neal Purvis and Robert Wade in Brosnan's third outing as Bond.
The World Is Not Enough (TWINE) starts off in a positive way
as the pre-credit sequence may not be one of the best, but definitely
above average when Bond escapes from a meeting with a banker,
recuperating briefcase full of money. Back at Vauxhall Cross,
Bond uses an incredible miniature boat engineered by Q to hunt
down a killer near MI6 headquarters an explosion that kills briefcase
owner Sir Robert King, a close friend of M. The sequence is one
of the most exhilarating and memorable chase in the series. An
injured Bond later learns that M is worried about sending him
to protect King's daughter Elektra (Sophie Marceau) who escaped
a kidnapping at the hands of Renard (Robert Carlyle). Carlyle
certainly was well cast as villain Renard, and Marceau as King
who is later revealed as villain when Bond learns that she arranged
her father's killing having charmed Renard is a great choice.
The coup is well executed as Marceau usually plays the typical
"good girl" and is quite believable as villainess. Unfortunately,
her counterpart, the actress who up to this point usually played
"bad girls" and is a "good girl" in TWINE,
the untalented large breasted American bimbo Denise Richards was
cast as Nuclear Physicist Doctor Christmas Jones. It leaves very
little doubt as to why she was cast in the role, Richards was
very popular amongst "sexy women" polls all over America
at the time. It is very disappointing that such a terrible actress
be chosen for the role. Revenue must have gone up with her casting,
but believability and quality took a severe plunge. Viewers had
to endure her dreadful line delivery, such as her introduction
to Bond. "I'm a New-Kewl-ar Fizz-iss-isst" was Richard's
line delivery...
Users who happen to drool over Richards probably don't have any
problems over her shameful performance and might very well enjoy
this movie. It certainly had many of the key ingredients for a
memorable Bond flick. Other members of the cast were the returning
Robbie Coltrane as Valentin Zukovsky, John Cleese as Q's assistant
(jokingly referred as R) and Maria Grazia Cucinotta as the assassin
in the boat. On a sad note, TWINE marks the great Desmond Llewelyn's
last performance as Q as he died of a road accident on December
19th, 1999.
The cast of henchmen was disappointing as none of them are memorable
in any way and the same can be said about David Arnold's lacklustre
score, his second for the Bond series, and the stale theme song
by questionable one hit wonder band Garbage. Overall, TWINE is
a pretty decent addition to the Bond franchise who gets a lower
mark than expected due to the tarnishing performance from Denise
Richards. It certainly was refreshing not to have another "Bond
equal" or "female Bond" in TWINE like Michelle
Yeoh's Wai Lin in Tomorrow Never Dies and the appalling Halle
Berry's Jinx in the nightmare and despicable movie that would
be later be known as Die Another Day. But in 1999, Bond fans didn't
know what was going to happen. The future was looking quite promising.
Rating
"The World Is Not Enough" by Darth
Dimi
TWINE would have been the perfect sequel to GE, but instead they
chose the action packed TND. Anyone who thought the latter would
represent the style of the Bond films to come was wrong, as TWINE
returned to the more serious and character driven – much
rather than action driven – approach.
The story is another attempt to capture that nostalgic cold war
feeling that in reality had gone lost. It also works very hard
to crawl under the skin of the characters this time and give each
an interesting story. Emotions are not just good enough for an
appointment with 'The Doctor'. This time, we explore what drives
the people in this story, how they are connected and how painful
decisions have to be made because of that ("I never miss").
Even M comes closely involved.
There are loosely two parts in this story. One part deals with
the evil plot to use terror as a tool of propaganda, or so it
would seem at first. In that respect, the character of Renard
is an interesting one and his physical condition turns him into
the regular Bond film creep that we like so much. The film starts
with a loaded file on Renard, with things that happened in the
past. That means we can immediately point him out as an evil doer,
we're hunting down an already legendary bad guy and that opens
perspective to add even more to his record during the film. When
we discover that even Renard has a weakness – Elektra –
the story definitely becomes interesting. The terrifying bad guy
is in fact himself a puppet in the hands of a women who uses her
most powerful weapon: sex. Ian Fleming would have loved this.
He's prepared to speed up his inevitable demise by working out
an large scale nuclear disaster that will satisfy Elektra's desires
to restore the harmony within her mother's oil legacy. Elektra's
coldness towards her father sometimes makes her even more frightening
a villain than Renard. She even fooled Bond who had no alternative
but to shoot her. We get the feeling that he loved this girl to
the limited extent that he allows love in his heart, but it did
not prevent him from killing her. Thus, the final fight is with
Renard, who at that point was little more than the messenger.
The second part of the story is about the personal involvement
of certain individuals. Perhaps the filmmakers went a bit too
far there. It's okay for Bond to act in personal matters of M,
as we've read in Moonraker, but having M kidnapped by Elektra
was probably a bit over the top. As a real MacGuyver she fixes
a piece of technology so Bond could find her. Also, Zukovsky's
presence is always a pleasure, but why does it have to be a distant
nephew who comes to the rescue when the script writers are out
of inspiration? Nothing can be more insulting to our intellect
than a 'deus ex machina' in a Bond film. What a coincidence. And
furthermore, the story at one point shifts towards Zukovsky's
rescue of this nephew of his… Maybe some of this stuff is
a bit farfetched.
That said, the film has some powerful elements. Zukovsky's final
act of giving Bond a window of opportunity is almost spine chilling
and the film's finale in the submarine is a little less extravagant
– and thus far more credible – than some of the large-scale
climaxes we've seen in previous Bond films. The pre title sequence(s)
are amongst the very best in the history of the Bond film with
both the bank scenes and the Thames hunt being nearly perfect.
Not one scene in TWINE looks stolen from another (Bond) film.
This film is original from top to bottom. The acting is great
too, with Brosnan giving us a very convincing performance as the
slightly tormented 007, Kitchen and Salmon presenting the finest
of Britain's actors and Carlyle showing off an unseen flamboyance
that makes you truly believe every word he says. Of course Sophie
Marceau is female elegance combined with great acting skills and
even Denise Richards brings a solid performance on-screen, which
is a hard thing to do if you are labeled in advance as a brainless
package of T&A.
Musically, TWINE could have been better. The title theme is good
but the score lacks a few things here and there. The emphasis
on synthetic remixing of otherwise good orchestral material combined
with a lack of inspiration brings it down to only an average Bond
score. The opening music is very good and so is the casino music,
but everything else looks a bit too perfumed in terms of computer
mixing and that's too bad because Arnold can pull off quite a
good job. Still, it works in the film and perhaps that's the most
important element.
Action is narrowed down to only a few scenes, which is precisely
what some Bond fans want. However, when you do an action scene
in a Bond film, you should really make it very good. Obviously,
director Michael Apted isn't your average day action freak as
camera work on these action scenes and the events that take place
are hardly worth to be called exciting. Nevertheless, this film
is about other things: it's no TND.
Commenting on TWINE is a matter of perspective. What criteria
will one use? Compared next to TND it's a soft core Bond film
with an attempt to be a grown-up thriller but a lack of excitement.
Compared next to GE it's a fine tragedy packed in the usual 007
outfit. Let's choose option number 3: TWINE, like nearly all other
Bond films, is a stand alone experience, and one that would have
made Ian Fleming proud. The film has it's weaknesses but it made
a lot of money and is considered by many Bond fans today as one
of Brosnan's best. It's a human film and it's original. TWINE
should be accepted for what it is: a fine Bond film!
Rating
"The World Is Not Enough" by Bond.
James Bond
After the success of Goldeneye and Tomorrow Never Dies, along
came Pierce Brosnan’s third 007 epic in the form of Michael
Apted’s The World Is Not Enough.
The opening of The World Is Not Enough (TWINE) is probably one
of the best of the series, with the action being well directed
and beautifully filmed. Of course we are talking about the infamous
boat chase on the river Thames and the jump out of the window
in Spain. But the whole sequence is so mind blowingly spectacular
that you don’t realise that this is still the opening sequence
and the opening titles haven’t even appeared yet.
Right, to the story, which as brief as I can - Bond is assigned
to protect oil heiress Elektra King, whose father was killed and
that the person responsible is out to kill her next, only for
Bond to realise that she’s the bad guy (or gal) too! Now
the story does de-rail often in the movie however, where entertainment
value is concerned, it is on top. Director Apted, who wanted to
make the film show a more emotional side to Bond, does a good
job on the film, however, the idea of a different side of Bond
being shown is only clearly shown in the odd couple scenes, particularly,
the ‘torture chair sequence’ which I will come to
later.
Down to the cast. Brosnan does a good job as usual, however he
feels a little too settled into the role and still does not top
his performance in Goldeneye. Sophie Marceau fits so brilliantly
into the role of Elektra, you really cannot see anyone else who
would fill her shoes. Robert Carlyle as Renard is also memorable,
but it feels like there could have been more for him to do. Then
there’s the welcome return of Robbie Coltrane as Zukovsky
who feels much different than his Goldeneye character, yet his
humour is used perfectly well giving him the best lines in the
film. The imprisonment of M gives Dame Judi Dench the perfect
opportunity to expand the character of M and give the story much
more depth. However when it comes to Dr. Christmas Jones, the
role is completely miscast by using Denise Richards. It feels
the only reason she was used was down to looks and not believability
as a nuclear physicist.
That aside, there are many scenes that keep the story flowing.
The torture chair sequence is particularly powerful, where Bond
cannot rely on gadgets to save him but results in Bond ‘begging’
Elektra not to kill 8 million people (which doesn’t work
anyway and Zukovsky comes to the rescue). Again, there are also
many well coordinated action set-pieces which flow so smoothly,
and feels so involving that you almost feel jealous that Bond
is doing all these ice cool moves that you want to do them yourself!
David Arnold’s score for the film matches, if not excels
his score for Tomorrow Never Dies, particularly the music from
the opening boat chase. Garbage’s TWINE theme is also memorable,
and one of the best for a long time.
I must also add the fact the film contains the last appearance
of the much missed Desmond Llewelyn, whose character Q has remained
one of the film industries most loved characters in cinema.
Anyway, back to the review at hand, TWINE is a brilliant action
film. In fact, if you want a prime example of the action/adventure
genre, then TWINE is perfect. As a Bond film, I find it stands
out as one of best of the modern era, perhaps not the greatest
Bond movie, however, the film as a whole is one of the most enjoyable
to watch, and although there was no chance it would win any major
awards, for entertainment value, it is a clear winner.
Rating
"The World Is Not Enough" by Disco
Volante
James Bond has to fight against Renard, a terrorist who can't
feel pain, when when he's planning to destroy Istanbul. The other
main character in the plot is Elektra King, who in the past got
kidnapped by Renard but managed to escape. She's a woman who seems
innocent, but is it really that way?
This is the 19th Bond film, the third for Brosnan. In TWINE,
Brosnan plays very well and it's his best performance as James
Bond together with DAD. TWINE is not a great Bond film though.
It has many highlights such as Brosnan as Bond, Robbie Coltrane
as Valentin Zukovsky, Sophie Marceau's Elektra King, the serious
tone of the film, the pretitle sequence among a few other things.
Personally I think Sophie Marceau acts great and she's one of
the best (bad) Bond girls!
Denise Richard and Robert Carlyle aren't as good in their roles.
Robert is a very good actor but there's something about Renard
that I don't like. The tempo is pretty slow and the plot is a
bit boring sometimes, which aren't very good.
"The World Is Not Enough" is Brosnan's best Bond film
after "GoldenEye", but it's still not great.
Rating
"The World Is Not Enough" by alec_006
It was the dawn of a new millennium and the world had settled
in to the Brosnan Bond era. We'd all seen the most gadget based
car chase scene and the biggest motorbike scene in any bond film.
Now it was a time for things to change with the times.
The story centres around Elektra King and her oil pipeline through
Turkey. After her father was killed and terrorist Renard is blamed
Bond is assigned to protect her. Yet she is not all she seems.
She betrays M and all of MI6; turning out to be the holder of
Renard's leash with a plot to flood the sea with oil and her pipeline
is the only way to get it all out. It's a big scale plot with
the discovery of Elektra being the main villain being the hook.
The movie explores the way Bond acts once the mission hits too
close to home with the capture of M. First he was betrayed and
now his boss is in danger. He put stopping Elektra at the top
of his list and with the aid of Nuclear physicist Christmas Jones
and old friend Valentin Zukovsky, he tracks down M and stops Elektra.
The final battle against Renard inside the nuclear submarine is
a well played out scene.
The Story is solid enough and the acting on most parts is right
on the money. Brosnan's return as Bond showed a man comfortable
in the role. He settled in nicely and portrayed it very well on
screen. His minor exploration into Bonds emotional side is not
the most convincing but it worked well. He acted how Bond would
and he said what Bond would say. He was Bond in this movie. Sophie
Marceau however was brilliant as Elektra King. She was seductive
and innocent yet evil. She played it well and almost convinced
us that she was the victim. She was the most well cast Bond girl
of the Brosnan era.
Robert Carlyle portrayed Renard just as he expected for him to
turn out. A sadistic man with a vendetta against M and all of
MI6. He acted as a man who was dying. With no fear of death and
a slight sense of immunity to all forms of punishment.
On this note we turn to the worst casting choice. Denise Richards
is by far the second worst Bond girl choice behind Halle Berry.
She didn't sound smart enough to be a nuclear scientist. She was
fairly attractive but it showed how much the producers wanted
to sell Bond to the American audience. It was a desperate ploy
that failed miserably.
The movie has some well played out action sequences. The helicopters
at the Caviar factory is a well paced sequence and ended on a
funny note with Zukovsky line, 'the insurance company is never
going to believe this'.
The Q boat chase was a little long but had some high points. The
submarine based ending was well presented but the skiing against
the parahawk's was too overdone.
In closing The World Is Not Enough is Brosnan's best Bond portrayal
in my opinion. The cast was almost good minus one or two major
downsides but the movie trudged along well.
Rating
"The World Is Not Enough" by James
Bond [007]
James Bond
This movie captures the character of James Bond in a way that
only the minority of the Bond films have captured him and that
is the Fleming way Bond has a 'deeper persona' in this film. Pierce
Brosnan's acting was his best performance in a Bond film. James
Bond: 10/10
Bond girls
In this movie there are two main Bond girls they are Elektra King
and Christmas Jones. Electra is a very good Bond girl she is the
best bad Bond girl yet. She seems very innocent at start but don't
judge a book by its cover. Sophie Marceau's acting was excellent.
The other Bond girl Christmas Jones was not the best Bond girl.
The character altogether is not very convincing she is a nuclear
doctor but she doesn't really seem that. Denise Richards acting
was the thing that didn't make the character convincing the character
was too smart for she to play it. Bond girls: 7/10
Villain
The villain in this film is Renard he is a terrorist that cannot
feel pain. He is out to destroy Istanbul and is out to get revenge
on the people that were involved in the kidnapping of Electra
King. He almost achieves his plan but was stopped by James Bond.
Robert Carlyle's acting was excellent. Villain: 10/10
Plot
The plot in this film starts out very simple Bond is sent to retrieve
the money of Sir Robert King a man who has an oil pipeline in
Azerbaijan. When Bond returns with the money Sir Robert King dies
by an explosion caused by a detonator in his pin. After this unfortunate
event Bond is sent to protect Oil heiress Electra King daughter
of Sir Robert King and this is when the mission starts getting
interesting, Bond later finds out that Electra King is an ally
of Renard and they are out to destroy Istanbul.Plot: 10/10
Locations
This film has some good locations Bond travels from Bilbao, Spain
to London, UK and from there to Scotland, UK. From Scotland he
travels to Azerbaijan and then to Istanbul. Locations: 10/10
Film
The film altogether is fantastic, for not being a Fleming novel
based film it is a very good film. The plot and most of the characters
are very good and the film is filled with surprises and adrenaline
pumping action.
Rating
"The World Is Not Enough" by Nic Nac
The third James Bond film featuring Pierce Brosnan, and his first
to lay claim to being a more 'character driven' piece. In an attempt
to prove the point, Barbara Broccoli hired British director Michael
Apted, known for helming thoughtful biopics like 'Gorillas In
The Mist', 'Agatha', and 'Coalminers Daughter', and the acclaimed
TV series '7 Up'.
Apted was given a strong cast to work with, but his lack of experience
with large scale action movies slipped through all too often.
A sequence with murderous paragliders crashed more heavily than
the villains themselves, and the destruction of a caviar factory,
whilst amusing and expensively staged, was more reminiscent of
Buster Keaton, than James Bond. The opening sequence, played out
in two stages was engaging, exciting and loads of fun. It gave
an early crash course in what Bond is all about, and the appearance
of the much maligned London Dome was a small, amusing cherry on
top of the cake.
Apted does a workmanlike job with the drama, but there is a sense
that Brosnan, a likeable if limited actor, tries to press too
many 'heavy drama' buttons, or at least more than is necessary.
His intense scenes with Sophie Marceau lie uncomfortably among
the set pieces. Brosnan with his traditional movie star looks,
relishes this part, but that relish is all too often faintly evident.
His easy charm and sly wink to the camera reminds me of Roger
Moore, even though Brosnan himself would prefer to be seen as
a descendent of Sean Connery. Having said that, Brosnan makes
a decent fist of the role, and his confidence has grown enormously
since GoldenEye, his debut film.
The film needless to say, was a box office hit.
With Robert Carlyle as Renard, Robbie Coltrane reprising his
GoldenEye role of Russian Mafiosa Zukovsky, Denise Richards as
the unlikely Nuke expert Christmas Jones ( a badly forced Flemingesque
name), Judi Dench as M, John Cleese as R, and most poignantly
of all, Desmond Llewelyn bowing out as the loveable Q.
Rating
"The World Is Not Enough" by BondBoy007
CASTING/WRITING: Brosnan was an actor that really got robbed
of his Bond years. TND and TWINE could've been great movies but
just weren't. While TWINE improved on TND it still faced some
of the same problems. The pre title sequence was good but a bit
too long. The casting again had some problems, Elektra King was
wonderfully cast and written. Very deep character with a wonderful
actress to pull it off. Renard was cast well but we don't see
enough of him to really make us believe that he can be as menacing
as Elektra was. Jones was horribly cast and written. A staple
of the Brosnan movies was the big name star they bring in who
can't act like Yeoh, Richards, Berry, etc. There are two story's
going on at the same time. Bond trying to stop Renard/King from
blowing up Istanbul and Bond trying to rescue M. Renard is a guy
who has been shot in the head but has survived and now cannot
feel pain, pleasure, anything. This makes him very menacing but
at the same time we see he's weak, his weakness is Elektra but
one of the writing problems in TWINE is that it makes Elektra
almost the real head villain.
STORY: Bond goes to meet Elektra and attempt to protect her after
they feel she may be next after he father was killed. Bond really
begins to fall for Elektra as TWINE begins to morph into one of
the most character driven films in the series. As he leaves Elektra's
bed he must tail Davidov (security man) and sees him doing some
questionable things. This leads to one of the most cold murders
in Brosnan's films (something that there should've been more of).
Over the span of a few days where he met Renard in a wonderful
action scene in a testing facility underground and finds out more
about Elektra he becomes suspicious of her. This all builds up
until Bond is presumed dead and M comes to comfort Elektra. Bond
is actually though suspicious enough of Elektra that fakes his
death (similar to YOLT) to allow him some breathing room and allow
Elektra to show her bad side. Once he finds M has been taken by
Elektra he goes back to his old friend Valentin who he sees earlier
in this film and knows he lied to him. This time he confronts
Zukovsky at his caviar factory and the sequence is a great scene
where Bond mentions Q, uses his car a bit and must avoid helicopters.
Once he deals with the choppers he finds Zukovsky and gets the
help of Valentin to find M.
Once he is able to get M's location off of her homing device
that M cleverly re-enables, he finds that Zukovsky's assistant
Bullion is dirty. As the bomb that Bullion left goes off Bond
races outside and is captured. Bond is taken to Elektra, cleverly
escapes with a little help from his friend Zukovsky in one of
the most heart warming scenes in the series. Bond goes after Elektra
and again must dispatch of her in a cold manner. Bond, after finding
and rescuing M, goes after the sub in which he finds Renard is
attempting to blow up Istanbul. This is where the film goes downhill.
Earlier Jones is captured by Elektra and put in the sub with Renard.
Bond finds Jones and in one of the most odd ending scenes he finds,
fights and defeats Renard in a sequence that really has great
build up but is overall a let down. The film ends in a clever
and witty Bond moment. Kind of tongue in cheek as Bond is found
'hot' with Christmas Jones. This was an example of one of the
times Brosnan's tongue in cheek Bond really shines because of
good writing.
Rating
"The World Is Not Enough" by MI6 Agent
004
The World Is Not Enough, the nineteenth official MGM/EON series
entry and Brosnan's third outing as James Bond 007, secret agent
extraordinaire Ah, what a hard film to judge...
The Bond: Pierce Brosnan returns for a third time in this 1999
thriller and all aspects of Brosnan's performance is above par.
Fantastic line delivery, body language nailed, emotions shown
fantastically and Bond in full, with the usual wit, charm, smoothness,
skill and proficiency usually shown. Definitely one of Brosnan's
best performance's, with him being the only Bond to be given a
larger perspective when in Elektra-cal situations. 9.75/10
The Plot: Bond is taken into a Swiss banker's office, his weapon
confiscated and a (for the moment) confusing pair of glasses.
Five minutes later, the beautiful Cigar Girl is gone and the guards
are down with the banker at gunpoint. THUD! A dart emerge's from
the banker's throat. Using a make-shift rappel out, he emerges
relatively unscathed. A few days later, Bond is back in London,
managing to alienate Moneypenny slightly with a weak presentation
of a cigar. M and her long-time friend Sir Robert King are having
drinks and King leaves, thanking Bond for taking his money back.
A quick drink between M and Bond reveals the money is covered
in an as of yet unknown substance. Thirty seconds later and a
gigantic hole is torn in the MI6 building. Bond quickly commandeers
the Q Boat (with Q proclaiming 'Stop, it is'nt finished!') to
chase the Cigar Girl down the Thames and through the streets of
London in a exciting chase. Finishing up at the Millennium Dome,
the two hang on tight as a commandeered hot air balloon rises
over London. Bond offers protection, Cigar Girl says no- and promptly
blows herself up, leaving Bond to fracture his shoulder on the
Dome. 7.5/10
The girls: Denise Richards and Sophie Marceau are this years
Bond girls and boy is it mixed. Marceau portrays a seductive,
sultry temptress millionaire woman who had been kidnapped by the
suspected killer of King and employer of Cigar Girl, Victor 'Renard'
Zokas as a young child. Denise Richards portrays Dr Christmas
Jones. However, even though she's supposed to have a degree in
nuclear theory, she still can't think for herself much. At least
she can swim, is all I have to say on her. 8.5/10
The gadgets: The new BMW Z8 is shown in this film, controlled
remotely from a small keyring, equipped with missiles and other
probable gadgets we never get to see. X-ray glasses provide a
laugh and a ski jacket a la Zorb is quite well presented. A new
addition to the Omega Seamaster is added: a piton wire strong
enough to hold Bond. A credit card lockpick is also well in evidence,
only used once however. To cover up this slight excess of gadgets,
a fantastic performance is given by Q and Cleese's character R.
9.5/10.
Quite a mixed bag really, filled with highs and lows. A must
see for Brosnan fans but not a must-see for Bond fans.
Rating
"The World Is Not Enough" by Vesper
For a period of time I was a strong defender of the nineteenth
Bond film, basically, when I first viewed it at an age of being
able to comprehend the plot. After three or four viewings I soon
realised that everything here is dull and disappointing. The story
does not deliver, despite potential that should have been drawn
upon instead of pushed into the background, things were over-sensationalised
that should not have, such as the Elektra-Bond relationship.
The cast, generally speaking is great, Robert Carlyle, Sophie
Marceau, Robbie Coltrane and Judi Dench. All of them are let down
by the poor material and the weaker performances of Brosnan and
Richards (admittedly the former is still far above the latter)
The pace is the spear through the already bleeding barracuda.
Places and scenes that should be action scenes are talking scenes,
and scenes that should be talking scenes/development scenes are
used as action scenes. Additionally, the plot builds up around
a single plot twist, revealing the victim to be the villain. This
twist falls flat when the villain's pawn/henchman outlives the
villain in traditional Roger Moore style. Fortunately for Roger
Moore's films, the henchman never survived to be the objective
in a major drawn out action set piece. As such the ending of the
film is the place where you start to hear/experience snoring.
Rating
"The World Is Not Enough" by collister007
With Pierce Brosnan now settled into the role of 007, the producers
opened up their wallets to create what they hoped to be the best
adventure yet – The World Is Not Enough.
The film begins with a scene with a swiss banker in Bilbao, which
ends in murder, before Bond escapes out the window in one of those
“how does he do it” moments. This is followed by the
racketeering boat chase, bond chasing the Cigar girl, who ultimately
commits suicide, leaving Bond to fall to a broken collarbone on
the Millennium dome. A great opening after the sub-par opening
of Tomorrow Never Dies.
The plot suddenly becomes a touch unbelievable. After our final
glimpse of Desmond Llewelyn and an unnecessary encounter with
Dr. Warmflash, Bond is sent to Azerbaijan, to protect Elektra
King. Bond suddenly picks up on the scent of people like Davidoff,
and travels to a former Russian base, where Renard is stealing
a nuclear weapon and an American doctor named Christmas Jones
is avoiding those sorts of questions. From here the plot turns
into a double cross, before the plan is discovered that Renard
is going to blow up Istanbul from a submarine. Unlike other Bond
movies, The World Is Not Enough keeps enough sense of reality
then some of it’s predecessors.
Most performances are great, Robbie Carlyle is fantastic as Renard,
the main who feels no pain. Robbie Coltrane puts in an even better
performance than Goldeneye, and he and Bond’s friendship
seems real and warm. But the real star is Sophie Marceau, as the
almost psychotic Elektra King, a seductive temptress who plans
to destroy the Russian pipelines.
But the performance of Pierce Brosnan is a disappointment, along
with Denise Richards. Brosnan seems too aware, too comfortable,
his scene with Elektra after he comes back from the air base is
frankly awful. Richards seems too fake in the role of a nuclear
scientist, it just doesn’t fit.
With both positives and negatives, The World is Not Enough is
not terrible, but does not excel either.
Rating
